Review: Taylor Swift's Tortured Poets Department finds the star bereft but vicious
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The music is full of the pillowy synths and muted drums that served the hypnagogic vibes of her last album, Midnights, so well. That's fine when she submits to grief, on a song like the delicately percolating Bad Down, but when she writes something salty and mischievous like Who's Afraid Of Little Old Me? it gets suffocated by layers of echo and gauzy strings.
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